Box 6
Contains 9 Results:
Store image #1. Peter Seven Wallpaper Store, 130 Leonard N.W., ca. 1904. Man on the left may be Peter Seven. –ID by donor.
Currently, the only negative images in the collection are the original glass negatives given by the family donors. Most of these are in tact, with one broken, and a few others with flaws. 4x5 copy negatives are desired for higher quality long-term preservation of the images, but now difficult to obtain, due to the migration to digital.
Store image #2. Peter Seven Wallpaper Store, 130 Leonard N.W., ca. 1904. Man on the left may be Peter Seven. –ID by donor.
Currently, the only negative images in the collection are the original glass negatives given by the family donors. Most of these are in tact, with one broken, and a few others with flaws. 4x5 copy negatives are desired for higher quality long-term preservation of the images, but now difficult to obtain, due to the migration to digital.
Store image #3. Perspective street view, with the Seven Wallpaper Store center right.
Currently, the only negative images in the collection are the original glass negatives given by the family donors. Most of these are in tact, with one broken, and a few others with flaws. 4x5 copy negatives are desired for higher quality long-term preservation of the images, but now difficult to obtain, due to the migration to digital.
Store image #4. Peter Seven Wallpaper Store, with new sign "130 Peter Seven 130." Shows Klute Dry Goods store in the same building at right.
Currently, the only negative images in the collection are the original glass negatives given by the family donors. Most of these are in tact, with one broken, and a few others with flaws. 4x5 copy negatives are desired for higher quality long-term preservation of the images, but now difficult to obtain, due to the migration to digital.
Store image #5. Another fuzzier version of this same image.
Currently, the only negative images in the collection are the original glass negatives given by the family donors. Most of these are in tact, with one broken, and a few others with flaws. 4x5 copy negatives are desired for higher quality long-term preservation of the images, but now difficult to obtain, due to the migration to digital.
Store image #6. Peter Seven Wallpaper Store, 130 Leonard N.W. with the “130 Peter Sever 130” sign, and an early automobile with driver in front of the store. Ca. 1910? Description per donor, who identifies the driver as John P. Seven, b. 1886-xxxx.
Currently, the only negative images in the collection are the original glass negatives given by the family donors. Most of these are in tact, with one broken, and a few others with flaws. 4x5 copy negatives are desired for higher quality long-term preservation of the images, but now difficult to obtain, due to the migration to digital.
Store image #7. Cornelius Seven Dry Good store, 153 W. Leonard, at Quarry St., with a fire station on the other side of Quarry. Description by donor.
Currently, the only negative images in the collection are the original glass negatives given by the family donors. Most of these are in tact, with one broken, and a few others with flaws. 4x5 copy negatives are desired for higher quality long-term preservation of the images, but now difficult to obtain, due to the migration to digital.
Store image #8. Cornelius Seven Dry Good Store, 153 Leonard St. N.W., ca. 1904. View down Quarry street at right.
Currently, the only negative images in the collection are the original glass negatives given by the family donors. Most of these are in tact, with one broken, and a few others with flaws. 4x5 copy negatives are desired for higher quality long-term preservation of the images, but now difficult to obtain, due to the migration to digital.
Store image #9. Interior. Wallpaper store. Peter Seven sitting, Paul Klute standing per donor, ca. 1905.
Currently, the only negative images in the collection are the original glass negatives given by the family donors. Most of these are in tact, with one broken, and a few others with flaws. 4x5 copy negatives are desired for higher quality long-term preservation of the images, but now difficult to obtain, due to the migration to digital.