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Nancy Mulnix Tweddale papers

 Collection
Identifier: Collection 001

Scope and Contents

This collection initially focused almost exclusively on the Vandenberg Center Sculpture Project, which resulted in the acquisition of Alexander Calder’s monumental stabile La Grande Vitesse. Additional materials, about Nancy Mulnix continuing and broader activities in support of the arts, have been added to the collection, broadening the scope of the collection.

Calder’s La Grande Vitesse continues to be the largest portion and the hallmark of the collection, and perhaps Mulnix's greatest art experience. The Vandenberg Center project materials detail how politicians, artists, business leaders and private citizens joined to acquire La Grande Vitesse during an age of urban renewal and city reidentification in Grand Rapids. This was also a time of national political upheaval in the late 1960’s, which included civil rights at the forefront and the assassinations of important political leaders in the U.S. These national issues struggled against the Calder project for recognition and use of resources. However, the ideals of both movements seemed to come together in the human rights ideals of the Calders (Alexander, or Sandy, & Louisa), as well as the ideals of the use of the Vandenberg Center plaza, now called Calder Plaza, as a meeting place for all peoples and all groups, with La Grande Vitesse as the focal point. It was also an era of global reidentification, as the first man was landed on the Moon in the month following the dedication of the sculpture.

Mulnix served as co-chairman of the Vandenberg Center Sculpture Committee along with Grand Rapids leader Peter Wege. The collection includes her correspondence as part of the Committee. Prominent correspondents in the collection include: Alexander Calder, artist Adolph Gottlieb, Aaron Copland who wrote original music for the Dedication of the sculpture, and Gerald Ford, who as President used “La Grande Vitesse,” as part of his symbolic association with his home city of Grand Rapids.

The collection also includes records of the art Selection Committee / Commissioning Committee, speeches, Calder sketches, clippings, memorabilia, ephemera, photographs, slides, prints, posters, audio tapes, musical scores and engineering plans. A large portion of the collection is books and periodicals, either on Calder and his art, or on public art and art projects. These materials serve as an invaluable support for understanding the sculpture, as well as it’s creator and it’s place in U.S. national history, as the first public sculpture supported with federal funds.

The collection also includes material on Calder’s other works and exhibits. The personal friendship that existed between Mulnix and Calder provides an interesting dimension to the collection, as well as her other friendships with such notables as Inge Morath Miller and her husband Arthur Miller, Eppie Lederer (Ann Landers), Aaron Copland who knew Calder as a youth in Pennsylvania, Calder’s official biographer Jean Lipman, Calder friend Robert Osborn, and Calder’s sister Margaret Calder Hayes. Also included are brief notes from Jane Alexander, actress and chairman of the NEA in 1994, from artist Robert Motherwell, from Kansas Senator Nancy Landen Kassebaum, from Chief Justice William Renquist and Justice John Paul Stevens of the U.S. Supreme Court, and from Michigan Governor William Milliken, plus a copy of a telegram from President Richard Nixon with congratulations on the dedication of the sculpture.

Dates

  • 1966 - 2009

Biographical / Historical

Nancy Mulnix, born November 26, 1939 in Flint, Michigan, is the daughter of Robert G. Middlesworth, a General Motors executive, and his wife, Margaret. The family moved successively to Birmingham, Michigan, then Kansas City, Missouri, and then East Grand Rapids, Michigan. Nancy graduated from East Grand Rapids High School in 1957. She attended Drake University, Michigan State University and Aquinas College, from which she received her B.A. in Philosophy in 1978. In 1980 she received an M.A. degree in psychological counseling from the University of Notre Dame. In 1995, she received a Bachelors of Science in Nursing (Psychiatric) from Grand Valley State University.

Nancy Middlesworth married LeVant Mulnix III in 1959. The Mulnix family owned the Carpenter Paper Company in Grand Rapids, in which Lee Mulnix took an active role. The couple had four children: Robert, Kathryn, Michael, and later Susan, who is Korean by birth. The couple was divorced in 1977. In 1980 Nancy Mulnix moved to Chicago where she worked as a medical psychologist at the University of Illinois Medical Center’s Center for Craniofacial Anomalies. In 1982 she moved to Lantana, Florida to work as a counselor and bereavement coordinator at Hospice of Palm Beach County.

During her years in Grand Rapids, Nancy Mulnix has been involved in many organizations related to the arts. She was chairman of the Grand Valley State Colleges Foundation; chairman of several programs included in the Grand Rapids Arts Festivals; a member of the Grand Rapids Art Museum Education Committee; and served on the Michigan Council for the Arts from 1971 to 1975. She performed in “Tarradiddle Tales” and Tarradiddle Travels,” Grand Rapids Civic Theater productions of children’s plays. She also acted in the Civic Theatre’s productions of “Death of a Salesman,” “A Midsummer’s Night Dream,” and “Inspecting Carol.” A playbill autographed by her friend and author, Arthur Miller, is included in this collection.

Nancy Mulnix is perhaps best known for her leadership in the City of Grand Rapids acquisition of the Alexander Calder sculpture La Grande Vitesse, and Calder’s subsequent work Calder on the Roof. The bulk of this archival collection documents her initiation and participation in the Vandenberg Center Sculpture Project. Calder’s La Grande Vitesse is the first sculpture in the United States to be supported with public funds for the arts, under the National Endowment for the Arts.

Nancy's work on the project began in 1967 with a visit from Henry Geldzehler, then Associate Curator of American Painting and Sculpture at the Metropolitan Museum of Art. Geldzehler delivered a lecture in Grand Rapids, Apr. 7, 1967 to the women’s group of the Grand Rapids Art Museum, when Mulnix was serving as Vice President. Mulnix gave Geldzahler a tour, including a section of downtown Grand Rapids, Michigan, razed for urban renewal, where construction of the Vandenberg Center multi-building complex was about to begin. Geldzehler suggested the possibility of a work of public art for the space. Mulnix followed up on this idea on April 10, 1967, when she hand wrote a letter to Congressman Gerald R. Ford, of Grand Rapids, asking for his assistance in obtaining the grant funding. Ford pursued the funding on behalf of Grand Rapids, though he had been politically against the formation and funding of the National Endowment for the Arts. Mulnix sought the expertise and support of Judge Stuart Hoffius, and Grand Rapids Mayor Christian Sonnevelt to initiate the project. The architectural firm of Skidmore Owings and Merrill was quickly involved in the planning, bringing to the project William Hartmann, the SOM partner who had recently brought the Picasso sculpture to Chicago. Leading citizens were appointed by the Mayor to the Vandenberg Center Sculpture Committee, including Peter Wege as Co-Chair with Mulnix. A separate group of six local and national art experts was formed to decide upon the artist to create the sculpture for the plaza. Alexander Calder (1898-1976), America's preeminent sculptor, was selected. Mulnix met Alexander Calder for the first time at Dec. 1967 at Perls Gallery in New York City. They became close friends during the project, and continued visits and correspondence until Calder’s death in 1976.

In the Fall of 2005, Nancy Middlesworth Mulnix married R. Bruce Tweddale.

Extent

14 Linear Feet (24 boxes plus flat files)

Language of Materials

English

Abstract

The Nancy Mulnix Tweddale papers document Mulnix's leading role in Grand Rapids' acquisition of Alexander Calder’s monumental stabile, La Grande Vitesse, 1967-1969.

The collection also includes information on Calder’s 1974 Calder on the Roof project, his two Flying Colors airplanes for Braniff and the annual Grand Rapids all volunteer Festival of the Arts, which continues to be held with La Grande Vitesse as its focus.

Mulnix's 2002 additions to the collection document some of her other art advocacy projects, such as the 25th Anniversary celebration of La Grande Vitesse; information on the Calder stabile Tripes; an exhibit of Calder work at Grand Valley State University; the Citizens’ Stamp Advisory Committee for the Calder commemorative stamps and the continuing use of the Calder graphic as a visual symbol for the City of Grand Rapids.

Immediate Source of Acquisition

Accession Numbers: 1982.001, 2002.027 and 2005.013a-c; Donor: Nancy Mulnix

Related Materials

Coll. 175, Grand Rapids Public Library Moving Images Collection, includes video tapes related to the Calder Project, the sculptor, and Ms. Mulnix. La Grande Vitesse, 1969. A synopsis of the project with construction footage in Grand Rapids. UT3-39 Calder 25th Birthday Reunion, Friday, June 3, 1994 [00032UT] 25th Anniversary videotape. Calder: A Man and His Art (1969) [00033UT] Nancy Mulnix : Calder Activist : oral history with Gordon Olson. Not fully processed. [00238MT]

Coll. 221, the Philip Catalano Collection, documents the transportation of the stabile steel from a Detroit port to the plaza in Grand Rapids, using tractor trailer trucks.

Coll. 224, the Grand Rapids Public Library Art & Graphics Collection includes a sculpture section, with information on Calder and other sculptures in Grand Rapids.

Coll. 345, the Stuart Hoffius Collection in process, contains Judge Hoffius papers from his participation on the Vandenberg Sculpture Project Committee.

Coll. 346, the William Hill Photograph Collection contains high quality color slides related to the Calder Dedication, plus images of the sculpture. Select items have been reproduced as photographic prints.

See also holdings at the City Archives, particularly those official documents of the City of Grand Rapids.

Title
Finding aid for the Nancy Mulnix Tweddale papers
Subtitle
including the Calder Vandenberg Sculpture Art Advocacy Projects
Status
Completed
Author
The Grand Rapids History Center
Date
1983
Description rules
Describing Archives: A Content Standard
Language of description
English
Script of description
Latin
Language of description note
English

Repository Details

Part of the Grand Rapids History Center Repository

Contact:
Grand Rapids Public Library
111 Library Street NE
Grand Rapids Michigan 49503 USA
616-988-5497