Box 21
Contains 32 Results:
Biographical information
Extra print images from Johnson for: Men Are Square. “To Harley Bertsch … from Gerrit A. Beneker;” Welding. Commonwealth, Feb. 1923; A Roller. Commonwealth, Jan. 1924
Included here are published references to the artist and his/her work. [For original art or formal reproductions of works, see Series II.]
Biographical
Included here are published references to the artist and his/her work. [For original art or formal reproductions of works, see Series II.]
Gerrit A. Beneker : Painter of American Industry : Exhibition catalog. Vose Galleries of Boston, ca. 1975-1981? 00.[2659].19
Included here are published references to the artist and his/her work. [For original art or formal reproductions of works, see Series II.]
Newsboys greeting 1907 illustrations. “A newsboy’s story of a newspaper building.” Evening Press 00.[2781]l1
Included here are published references to the artist and his/her work. [For original art or formal reproductions of works, see Series II.]
G.R. Artist, as Expert Aid in Navy Department, Draws Posters that Help Win War. G.R. Herald, Oct. 20, 1948.
Included here are published references to the artist and his/her work. [For original art or formal reproductions of works, see Series II.]
Who Paints the Covers? The Hydraulic Press, Mar. 1919, p. 9. + his cover illus.”My Hands are Black…”
Included here are published references to the artist and his/her work. [For original art or formal reproductions of works, see Series II.]
He Paints the Man Who Toils. Commonwealth, Feb. 1923.
Included here are published references to the artist and his/her work. [For original art or formal reproductions of works, see Series II.]
Gray Matter. Industrial Arts Magazine, Aug. 1920, p. 304.
Included here are published references to the artist and his/her work. [For original art or formal reproductions of works, see Series II.]
Gerrit A. Beneker, Portrait Painter to Labor. Journal of Electrical Workers & Operators, v. 27, no. 5, May 1928.
Included here are published references to the artist and his/her work. [For original art or formal reproductions of works, see Series II.]
